Luigi: The Making and the Meaning by John H Richardson – Understanding a Criminal?
On December 5, 2024, a leading publication ran the front-page story “Insurance CEO Gunned Down In Manhattan”. The report then noted that Brian Thompson was “shot in the back in Midtown Manhattan by a assailant who then walked coolly away”. The daytime killing was truly chilling and disturbing. But numerous US citizens reacted differently: for those who faced insurance rejections or faced exorbitant healthcare costs, the news felt like a release. Social media blew up. One post read: “All jokes aside … no one here is the judge of who deserves to live or die. That’s the job of the artificial intelligence system the insurance company created to maximize profits on your health.”
Less than a week after, Luigi Mangione, a good-looking, twenty-six-year-old University of Pennsylvania graduate with a graduate degree in computing, was arrested at a fast-food restaurant in Altoona, Pennsylvania. He faces court proceedings on criminal counts of murder, with prosecutors seeking the capital punishment. So what is his background? And what might have motivated the accused offense? These are the issues John H Richardson attempts to answer in an inquiry that delves into wider topics, too.
Understanding the Person
A writer for a major publication, Richardson devoted considerable time to studying the communities that exist in the hidden parts of the internet, producing articles about people “plagued by genuine concerns about an apocalyptic future”. To uncover “the making” of his subject, Richardson first examines Mangione’s wide-ranging book list. We learn that “[when] he was taken into custody, Luigi had a list of nearly three hundred titles on Goodreads”. Their subject matter covered climate change to masculinity, along with a “focus on his own self-improvement, both body and mind”. Additionally, Richardson sifts through his correspondence with influencers and authors as well as his many posts on digital networks. These primary sources, meant to paint a portrait of Mangione, instead render him an unclear character. Richardson attempts to explain this by proposing that “Luigi’s mystery, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson attempts to cast his subject in archetypal terms.
Mangione is deeply anxious about the world around him, one where ‘everything is accelerating whether we like it or not’
The Meaning Behind the Crime
As for “the meaning” of the title, Richardson uses as a clue three words – “postpone”, “deny” and “remove”, engraved on the bullets left behind at the crime scene. These are the terms occasionally employed by medical insurers to reject claims. He examines the evidence Mangione had a chronic back condition, which could have been a reason for an attack, but finds no proof; instead, what significance there is seems to rest in Mangione’s philosophical dread about the world around him, one where “the pace is quickening whether we like it or not, sliding faster and faster to the edge”; a world where the consensus seems to be that AI is going to eventually either dominate, or destroy us, or both.
Gaps in the Narrative
Notably missing from the book are conversations with the key individuals. Richardson asked, of course, but did not anticipate access to Mangione himself. And his relatives made it clear that they had chosen not to talk to the media in advance of the trial. Another flashing-yellow omission is any significant information about the deceased, Thompson, though we learn that under his guidance, from the early 2020s, UHC profits rose significantly.
Ambiguous Findings
By book’s end, the reader has no clear understanding of Mangione’s personality or what could have driven his alleged crimes. More troubling, Richardson’s apparent empathy for him creates the uncomfortable impression of having been privy to a veiled endorsement of an targeted killing. In the book’s final lines, Richardson presents his mythical interpretation: “We’ve entered a time of fables, the insane ruler, the beast in the labyrinth and the naked leader.” In that tale “Robin Hoods come with a beautiful promise … They arrive in times of social turmoil, when the population is in pain and nothing makes sense anymore.”
One thing is clear: as Mangione’s legal representatives continues in its attempts have charges that could lead to the death penalty thrown out, any mention of fables, folk heroes, champions or villains will not be admissible as evidence in defence of this attractive individual with a “jawline … and lips … out of a Caravaggio painting” soon to be on trial for murder.